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Follow me:
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Instagram: @exposurescape
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Check out my drone video from Iceland here:
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Website: ExposureScape.com
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Follow me:
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Not exactly an ideal composition, but also not your everyday kind of scene, so I set up to where I could use the nice moonlight reflections that accentuated the flowing stream as my foreground. The smokey haze created a warmer moonlight than usual. This is one, 30-second exposure that I was able to pull a ton of detail out of the darkness and another exposure for the moon detail.
This was a fitting conclusion to our fire-filled week and left me with a unique memory of our adventures here.
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This evening, on our second trip up to Logan Pass, we were rewarded with interesting cloud cover mixed with a smokey haze from the fires—resulting in some interesting light. I’ve always wanted to capture Clements Mountain with it’s unique, castle-like appearance and this was my chance! My daunting search to find a foreground began… I finally came across this lonely patch of flowers that was somehow still in full bloom.
My goal was to create depth in the scene by getting extremely close to the flowers, making them appear as large as possible. I positioned the angle of the camera to where the flowers would lead the eye up through the mid-ground to the mountain. So, with a few passers-by wondering what the hell I was doing with my face and camera buried in this cluster, I took a few series of shots of the foreground at 7 different focal points which I was able to blend in photoshop for sharpness throughout. The light was more intense at this point, allowing me to keep the shutter fast enough to freeze any flower movement. Then I waited a little longer for the right sky light to set in. The clouds made for some great patterns coming out from behind the mountain as the hazy glow intensified. The lens distortion at the top of the frame helped lengthen the mountain and cloud lines.
Thanks for looking and I appreciate your comments.
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But the real treat was finally getting out to shoot with Ryan Dyar and Miles Morgan. We had a blast and it was obviously great to get to know and learn from these two pros. If you haven’t already, I highly recommend checking out Dyar’s instructional processing videos for some expert tips. Good stuff.
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This 25 second exposure (15mm | f/18 | 100) was taken just as the top of the sun broke over the cloud layer on the horizon and lit up the scene. Because of the amount of texture I saw in the rocks and the patchy clouds, I decided to use my 10-stop filter for a longer exposure to calm the water. Having choppy water with everything else going on could have been too much. I also knew the long exposure would get me some smoother movement in the clouds as well. The sunstar was cleaned up and modified. Spent a long time balancing out the tones in this one—especially the color tones.
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Now I know there is a lot going on here—sun-bomb atmosphere, Bali Hai in the distance, crashing waves, warm and cool tones, water movement overload in the rocks and why not a fisherman. Hey, hopefully it keeps the eye involved in the scene. But I think the overall composition does work, although weighted on the left, the wave to the right helps hold it all together.
In post I carefully blended my sky exposure and focus on the distance with my favorite foreground shot of the rocks and water. This was a 1.3 second exposure at f/14, ISO 100.
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